01 / WATER
水THE LAKE
SETS PACE.
WATER BEFORE THE STREET
HANGZHOU
Twenty frames move outward from West Lake: water, rain, old streets, new towers and light after dark.
BE A VIEWER / CITY 08 · LINE DRAWING
HANGZHOU
杭州
Mist, rain, lake. The map sketches itself the way ink spreads over wet paper.
00 / FIELD LEDGER
THE LAKE
SETS THE PACE.
West Lake is not a backdrop. Lake and hills, causeways and islands, temples, pagodas, pavilions, gardens and trees have composed a cultural landscape here for centuries. The city is read from that slow centre outward.
SOURCE NOTE / UNESCO 1334- FRAMES
- 20
- CHAPTERS
- 05
- FIELD AXIS
- LAKE → CITY
- WEATHER
- MIST / RAIN / NIGHT
01 / FIELD REEL
TWENTY FRAMES.
ONE WATERLINE.
A silent cut through the five visual distances of Hangzhou.THE LAKE
02 / RAIN
雨WEATHER
EDITS.
03 / OLD CITY
巷WALKING
SPEED.
04 / NEW CITY
江THE RIVER
GLOWS.
05 / NIGHT
夜THE CITY
WRITES BACK.
00:0000:15
02 / WATER
LANDSCAPE
AS MEASURE.
Distance is the first subject: the pavilion, the boat and the pagoda only tell the eye how far the water extends.03 / RAIN
WEATHER
EDITS THE CITY.
Rain turns glass into a second lens. Figures soften, traffic blooms and the street briefly loses its hard edges.
04 / OLD CITY
MEMORY AT
WALKING SPEED.
Timber, thresholds and a temple gate keep history at the scale of a body moving through the street.DRAG / SWIPE / KEYS
05 / NEW CITY
THE RIVER
LEARNS TO GLOW.
At Qianjiang New City, the old water logic returns as reflection, horizon and a circle of artificial light.
06 / NIGHT
THE CITY
WRITES BACK.
After dark, the archive becomes direct: a kiosk, a pavilion and three words of red light.07 / PRINTED NOTE
ONE LAKE.
ONE RED CAUSEWAY.
The chapter returns to paper: more empty space than image, one measured route and a small field note that refuses to close the view.
MINIMAL ZINE POSTER / HANGZHOU 08
HANGZHOU / FIELD READER 08作家笔下的城市FOLIO 01—04
08 / CITY IN WORDS
HANGZHOU · 杭州
WRITERS ON THE CITY杭州
先让照片停下来。四段文字把杭州还给月色、晴雨、桂子与雪：左页保存中文的声息，右页给出 Galok 英译。
白居易《忆江南·江南忆》
唐
江南忆，最忆是杭州。
山寺月中寻桂子，
郡亭枕上看潮头。
Of all Jiangnan, Hangzhou returns most clearly: cassia sought by moonlight at the mountain temple; the tide heard from a pillow in the commandery pavilion.
苏轼《饮湖上初晴后雨·其二》
北宋
水光潋滟晴方好，
山色空濛雨亦奇。
欲把西湖比西子，
淡妆浓抹总相宜。
In sun, the water glitters at its best; in rain, the mountains fade into wonder. If West Lake is likened to Xizi, light or lavish dress becomes her equally well.
柳永《望海潮·东南形胜》
北宋
有三秋桂子，十里荷花。
羌管弄晴，菱歌泛夜，
嬉嬉钓叟莲娃。
Cassia through three autumn months; lotus for ten full li. Flutes play into clear weather, water-chestnut songs drift through night, while fishermen and lotus-gatherers take their ease.
张岱《湖心亭看雪》
明末清初
雾凇沆砀，
天与云与山与水，
上下一白。
Rime and mist filled the air. Sky, cloud, mountain and water—above and below, everything was white.
THE LAKE
STAYS OPEN.
Four writers leave the lake open: to memory, weather, abundance and white space. The reader continues in another city.
RETURN TO ALL CITIES